Over the past few days, I've discovered the value of doing something badly.
As I’ve mentioned a time or two, I’m a Virgo and doing something badly doesn’t
sit well, so this is a lesson that’s been waiting for me for a very long time,
I’m sure. I took some workshops at Art & Soul here in Portland last week.
It was my first time off from working in more than a year — well, since the
last Art & Soul! I really needed to have a good time, and what could be better than making art in the company of other women?
My first workshop was completely outside my comfort zone,
but I loved the theme: Everyday Saints. The teacher assured us that “if you can
make a pie, you can do this.” I quickly learned that I probably can’t make a
decent pie, either. The medium was paper clay, and the idea was to sculpt it
into a raised shape on a canvas, and then paint it when it was dry. This was a
two-day class — sculpt on day one and paint on day two. Now, as much as I
blather on about enjoying the process and being in the moment, I was slammed
hard up against the wall of I Really Cannot Do This. My fingers wouldn’t
make the (really simple) shapes my head told them to make. My logical mind knew
what paint colors to blend to make the shades I wanted, but my ten thumbs
couldn’t manage to actually manifest them. The teacher was patience
personified, but after a while, her kind and helpful words took on the gentle
tones of a kindergarten teacher reassuring the backward child that her scribble
really does look like a pony.
By lunchtime on the second day, it was pretty obvious to me
that I wasn’t going to go home with anything I’d want to put up on the wall. So
now it was all about the wisdom that could be gained from the experience. This
is what I learned:
If I only do things I do well, I’ll never grow.
It’s okay to make a big ugly mess.
It takes more than two days to learn new skills.
I went to my second art class (House of Dreams) about equally determined to
not care if I made something I liked and to be SURE to make something I liked.
Luckily, the teacher said the perfect thing right off the bat: “This is folk
art. Don’t make it perfect.” All day she was an enthusiastic cheerleader for
messiness, encouraging me to break loose, get down, try something risky, push
out of my comfort zone — in short, to have fun. And I did. And as a bonus, I
loved what I made. In fact, it’s the first thing I’ve ever made that I actually
put up on the wall when I got home. And I want to make more.
So I headed into my final art class with a light heart,
ready to play, ready to learn. I didn’t mind that I needed to ask more
questions than anyone else — I had Beginner Mind. I was the Fool, a fool for art.
I reveled in colors, and happily piled color upon color, not stopping when it
was just okay, but taking the chance to make something I liked even more, at
the risk of ruining it. I made a magical model of my own left hand, open and receptive to magic and grace. And then I brought it home . . . and put it on the wall.
I wasn’t going to write about my failure piece, the first
one, but as I got ready to post about the other two, I got a group email from
the teacher, with photos of all our pieces, including mine, which wasn’t
finished by the end of class. She said, “It truly does make the world a better
place when people make art. So good job saving the planet.” And I realized that
maybe my unfinished Goddess of Fire and Water, as clumsy and imperfect as she
is, might make my own little world a better place than the pieces I liked enough to
put up on the wall. After all, the gathering is called Art & Soul, not just Art. My soul needs adventure and risks. Whether I finish her or leave her unfinished, she’s already
liberated me a bit from my own need for perfection. And maybe you need some of
that too. May your creative fires burn brightly, and your heart overflow with love.
Blessed be.

(The piece above is the one I struggled with, in her unfinished state. Many thanks to Rogene Mañas, Julie Haymaker Thompson, and Cathy
Dorris.)
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